Archive for July, 2006

The Show

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This excellent documentary offers hip-hop gurus and main-streamers a rare glimpse into the personal and public lives of some of the most notable artists in hip-hop. Artists profiled are Naughty by Nature, Run DMC, Notorious BIG, Warren G, Wu-Tang Clan, Dr Dre, Craig Mack, Snoop Dogg and Tha Dogg Pound, LL Cool J, Slick Rick (in prison!), Kid Capri and controversial Death Row Records owner, Marion “Suge” Knight.
Very hard to find a copy of this but well worth seeking out, as the photography is slick, the sound is on point and it’s some of the best Biggie footage you can find.

Fade To Black

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In my opinion, the best hip hop concert movie produced so far (after The Show). Jay-Z’ s supposed “retirement party” sees Jigga on fine form and follows him through a classic set backed by Questlove (The Roots) and full band. Slick photography, interesting production insights and a stellar cast of hip hop A-listers. Features Missy Elliott, Foxy Brown, Slick Rick, Ghostface, Diddy, Pharrell, Rick Rubin, Beanie Sigel, etc, etc . . .

Peep the trailer. Then buy it.

New Jack City

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New Jack City has enjoyed a long and loyal fan following since it hits the streets back in 1991. It may be a fairly black & white look at the front-line war on drugs, but it works a lot better as a straight “crime flick” than it does as a deep-thinking cautionary tale.
Wesley Snipes stars as the unflinchingly mercenary drug kingpin known as Nino Brown. The year is 1986, and the crack epidemic is just about to hit New York City in a big, ugly way - which means that Nino and his crew are about to hit the big time. The CMB (Cash Money Brothers) overtake a massive apartment complex called The Carter, and it’s there that Nino’s minions will stake their claim; manufacturing facilities, distribution routes, and a captive collection of customers are what The Carter can offer, and Nino storms the place like it was a medieval castle.
Meanwhile, on the law enforcement side of the equation, Scotty Appleton (Ice-T) and Nick Peretti (Judd Nelson) are enlisted to take the CMB boys down, and down hard. All the cops have in their arsenal is a disapproving Lt. Stone (Mario Van Peebles) and a rehabilitated crackhead (Chris Rock). But Peretti & Appleton also have one extra weapon: Their venomous disdain for Nino combined with a casual disrespect for acceptable police procedure.
And of course there are the sidekicks, the henchmen, the abused women-folks, the corrupted, the addicted, and the outraged. It’s a fairly simple story, all things considered, and it’s one we’ve heard more than a few times before. But there’s a vibrant colour and slick fluidity to New Jack City, which makes it easy to overlook the more obvious spots and focus on the assets.
New Jack City doesn’t offer a whole lot that’s new to the “city drug war” genre, but it was one of the first flicks to dress the tale up for a new generation. It’s a slickly entertaining and consistently engaging crime thriller, and it’s a film that stands up for repeat viewings. Ice-T is on fine form in his big screen debut.

Menace II Society

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Extremely brutal, but gripping and compelling story of a volatile, alienated young teenager growing up in the violent atmosphere of the L.A. Watts District and, against the advice of family and friends, makes no effort to transcend the harshness and ignorance of his surroundings, instead choosing to head down a dead-end path. Violent, almost unbearable at times, but faultlessly acted by the cast, and filled with powerful, authentic scenes. Tate is an absolute powerhouse as Turner’s young, but extremely impulsive and cold-blooded pal. Obviously not for all tastes, but a monumental achievement regardless, thanks to a superior cast of actors.

Breakin’

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Kelly, a struggling young jazz dancer (Lucinda Dickey) meets up with two break-dancers, Ozone (Adolfo Quinones) and Turbo (Michael Chambers). Overcoming scorn from other dancers disapproving of her hybrid dance style, Kelly soon becomes the sensation of the street crowds.

Beastie’s new concert DVD

Beastie Boys: Hip-hop innovators reinvent the concert flick, with dizzying results.

TI sells screenplay

Grand Hustle/Atlantic recording artist T.I. has penned and sold a screenplay to sold New Line Cinema called For Sale.

Boyz N The Hood

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John Singleton’s landmark debut featuring Ice Cube.
As we follow Tre Styles from childhood toward becoming a young adult (as played by Cuba Gooding, Jr.), and attempting to dodge, with the cautious guidance of his parents, the many dangers and risks associated with growing up in inner-city America, the sense of ever-present danger and, often, hopelessness associated with attempting to avoid falling into the cracks of society is abundantly clear.
In the role of Tre’s troubled friend Dough Boy, Ice Cube is something of a revelation, and his balanced performance, alongside Singleton’s excellent script, prevent him from becoming merely another gangster caricature. Lawrence Fishburne and Morris Chestnut add further depth to a strong cast.
All in all a very real, gritty depiction of the challenges faced at every turn by African American men and women in modern America. The building anger bristling beneath the surface in so many scenes is particularly resonant given the outburst of violence in the Rodney King Riots that took place in the very same city of the story just one year later.
The film spawned several imitations in subsequent years, but most glorified violence and placed an emphasis on a loud soundtrack and sexual explicitness at the expense of strong plot-line, good character development and a serious social message. All three are to be found in Boyz N The Hood.
 

Beat Street

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Beat Street is a story about kids in the South Bronx coming together to throw parties, pick up girls and express themselves through the medium of hip-hop. There are outside forces trying to glom some of the street cred off the kids. This time it’s plucky young Rae Dawn Chong as the downtown high-culture girl who introduces the notion of escaping the ghetto to Guy Davis, a DJ/rapper looking to make a name for himself. Reality comes crashing back down on Davis when one of his friends dies. The story isn’t unique but the film gets a lot of details right. The opening credits immediately feature some excellent break dancing and graffiti-inspired design while the burned-out buildings and house-parties vibe of the South Bronx youth culture is legit. (One of the film’s most memorable lines: “This ain’t New York, this is the Bronx!”) Additional credibility is provided by appearances from rap pioneers like Afrika Bambaata and break dancing legends Rock Steady Crew.

Beat Street is one of the more innocent, sweet hip-hop films from the early days. The cast is decent and the real hip-hop energy is strong. Even though the main love story is pretty uninteresting the break dancing and rapping (plus some classic graffiti) make this another early-hip-hop film to add to the collection.

Wild Style

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In Wild Style, legendary New York graffiti artist Lee Quinones plays the part of Zoro, the city’s hottest and most elusive graffiti writer. The story concerns the tension between Zoro’s passion for his art and his personal life, particularly his strained relationship with fellow artist Rose. However, you do not watch this movie for the story. Wild Style is the classic hip-hop movie reference point, full of great graff shots, breakdancing (Rock Steady Crew), freestyle MCing (Cold Crush, Busy Bee) and rare footage of one of the godfathers of hip-hop, Grandmaster Flash, pulling off a scratch mix set on a pair of ancient turntables in his kitchen!!
A must-see for any hip hop fan.

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