Archive for July, 2006

Deal for X to the Z

West Coast Hip-Hop Legend Xzibit Inks Deal.

Tougher than Leather

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Run-DMC star in this low-budget exploitation crime drama. After the trio sign with a production company for a concert tour, their roadie Runny Ray is killed after he witnesses a drug-related murder. The trio investigate their friend’s death and delight in the violent vanquishing of a group of white racists. Concert footage of Run-DMC, Slick Rick, Junkyard Band & The Beastie Boys. There is also music from Public Enemy. Directed by Rick Rubin who thankfully these days sticks to producing records.

Get Rich or Die Tryin’

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There is a formula for most ‘gangster rises to the top’ movies and 50 Cent follows it almost exactly. Get Rich has all of the usual lessons from the little kid learning to be tough early, to the finding out who your real friends are, all rapped up in a voice-over. Entertaining for kids and young adults into hip-hop culture but Mum and Dad might not be so keen. Not quite 8 Mile but certainly no disaster. Look out for Asher D (So Solid Crew).

8 Mile

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8 Mile
is as solid a showbiz drama as they come. Based on Eminem’s own experiences growing up in the Motor City Suburb, the Scott Silver-penned story traces a familiar arc: struggling artist overcomes poverty and self-doubt through raw talent. Possibly the best hip hop movie made in recent years? Read what others had to say . . . 

Vibe TV clips

View clips on Vibe magazine’s TV site.

Hip Hop Network

Loads of hip hop related trailers, interviews and streamed snippets on this US site.

Timbaland’s drug dreams

Timbaland has announced he’s ready to being work on a big-screen biopic of Colombian drug lord Pablo Escobar.

Outkast outcast Oprah

Idlewild duo say no to Oprah.

Scratch

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When hip-hop innovator Grand Wizard Theodore experimented with scratching vinyl in the ’70s, he couldn’t have imagined the consequences. But watching Doug Pray’s exuberant portrayal of the birth and continuing evolution of the hip-hop DJ, it’s not hard to see why turntables now outsell guitars.
Mixing hip-hop history with interviews with top “turntablists”, footage from competitions and impromptu freestyling sessions caught on camera, Pray’s enthralling documentary eschews flashy effects in favour of allowing the DJs and music to speak for themselves. So sit back and enjoy virtuoso performances from the likes of DJ Shadow, the X-Ecutioners, Qbert and MixMasterMike, whose talent and good-humoured interviews testify to the hours of hard work that go into a six-minute competition spot.
You don’t have to be hip-hop mad to enjoy Scratch, just as you didn’t have to be into skateboarding to appreciate Dogtown And Z-Boys. Its infectious energy will rope in everyone, regardless of whether they know their Qbert from their Schubert.

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Click the image to visit the Scratch website.

Krush Groove

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Krush Groove tells the story of Russell Walker (Blair Underwood), a young rap producer modelled on Russell Simmons, creator of Rush Management and Def Jam Records. Simmons is still one of the chief forces in hip-hop and a scene maker of Diddy-sized proportions. But at the time he was just the scrappy promoter of acts like Run DMC, LL Cool J and the Beastie Boys. The real Simmons started Def Jam with producer Rick Rubin in Rubin’s NYU dorm room and, in the film; Walker heads Krush Groove records (Krush Groove, Def Jam … get it?) with Rubin gamely playing himself. (Their real-life counterparts, in fact, play many of the main characters,). So you get Run DMC, The Fat Boys, Sheila E and old school legend Kurtis Blow all emoting like pros. The main plot finds Run (Simmons real-life brother) and Russell coming to conflict over Sheila E’s affections and Run abandoning Krush Groove in the process.  The movie as a whole has a really innocent feeling with all of the young cast members exuding charm and charisma. Run, Sheila E, and Rubin in particular have the fresh-faced honesty that professional actors might not have brought to the roles. Some of the acting may be a bit creaky by technical standards but there is an energy to the film that can’t be faked. For his part, Underwood anchors the film with a sly performance but doesn’t stick out as the sole pro. He plays the fast-talking Russell well enough that viewers can be forgiven for thinking he, like his co-stars, is just playing himself. One of the best things about Krush Groove is spotting the small roles by rappers who have hit it big since. The list is short, but memorable. LL Cool J performs a snippet of his breakout hit “I Can’t Live Without My Radio” in a dynamite scene. He tears the screen up with his wiry, youthful energy. Similarly, the Beasties appear briefly doing their raucous “She’s On It” in what seems like a drunken haze. The film includes some great songs, like Run DMC’s “The King of Rock,” Blow’s “If I Ruled the World,” and the Fat Boys’ “Don’t You Dog Me” It also features a live version of “It’s Like That” from Run DMC.

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